Tag: writing

On writing less than 1000 words a day.

~ Sean Monaghan ~ 1 Comment

For the last five and a bit months (that is, since January 1st) I’ve written at least 1000 words a day. Some days have been just over that target – 1015, 1085 – other days have been up in the multiple thousands (two days of 5500 words). I’ve written two novels, two novellas and numerous short stories. (The total word count is 244,000). It’s been a revelation to me to be able to work so intensely and so focused for this period.

And now it will hit it’s first speed bump. My target for the year is 300,000 words and it seems that now I’ll likely reach and exceed that. Why just 300,000? Well, I still earn a living at a full-time job. And I moonlight too, tutoring in a creative writing course. Fitting the writing in around the course was always part of the plan, though the structure of the course altered since I first set the 300K goal. Today is the first major deadline and I’m about to plunge into three weeks of concentrated effort in giving feedback to dozens of students.

Writing my own stuff will take a sideline. Today will be my first day this year of writing under 1000 words. I feel like I’m a little in mourning.

Still, I have two stories open at the moment, and I know where they’re both going. I’m itching to get to them, so that’s going to help me feel intentional with my marking. And I learn so much from the marking process too that it’s all only going to be good for my writing.

Taking your own best advice

~ Sean Monaghan ~ Leave a comment

I read a great post on writing by Rachel Aaron recently – how she focuses her writing time to get concentrated results with a mix of tracking her productivity (word counts), knowing what she’s writing and writing enthusiastically – read the post if you’re a writer, it makes for interesting stuff. I’m partway through the first of Rachel’s Eli novels – The Spirit Thief – and enjoying it.

Rachel also has a post about her thoughts the Taleist survey of self-published authors. Her post was interesting, and for a moment I almost considered buying the survey to get a sense of my own efforts – after all this is a business and the survey only costs $5. Except then I read Kristine Kathryn Rusch’s “Not a real survey” post on the Taleist document, and then the comments following that. Well – completely the opposite take. I’d had a sneaking suspicion that the survey might not be quite up to par, and her overview (and the comments) breaks it down neatly. Too many holes. Still, sometimes you’ve got to dig through a lot of dirt to find any gold.

On hitting the mark

~ Sean Monaghan ~ Leave a comment

May turned into my slowest month for the year – just creeping over the 40,000 word mark. A pretty busy time with tutoring kind of kept the lid on a little – in a good way: it’s useful to other things to focus on. I’ve sent off three contest entries, and some new magazine submissions, as well as resubmitting some stories that had been rejected elsewhere. My novella “The Wreck of the Emerald Sky” comes out in June in The Colored Lens, so that’s good news. June is going to be a much slower month, though, as tutoring really ramps up. I’m hoping to hit 15,000 words, which, while many fewer than any other month this year, will take me neatly to a quarter million words. I’ll post soon about some lessons I think I’m learning here as I aim for 300,000 words for the year (yes, I’m ahead of target – that’s one of the lessons).

One day: three rejections

~ Sean Monaghan ~ 2 Comments

So while I’m busy writing (I’ve finished up the second novel, and completed a long short-story since I last posted), and tutoring (whew, almost at the end of round four) and, well, just life in general… I’m also busy submitting stories to magazines. Great news – I’ve had an acceptance (a sci-fi novella, coming out soon… more details on that to come). Yay.

Today, though, was one of those “oh, well” days. Three rejection letters. All form letters too. Along the lines of “Thank you for submitting but we regret that we cannot use your story at this time”. You know the kind of thing. So, I found some other magazines with current open submissions and sent those three off right away. Just because some editor doesn’t have space for my best, second best and third best stories, doesn’t mean someone else won’t.

Now, back to finishing up this last bit of tutoring, and writing the next story.

Imaginary Maid Forgets She is Late for a Banquet – new ebook short story

~ Sean Monaghan ~ Leave a comment

I have a new story out through Smashwords. Imaginary Maid Forgets She is Late for a Banquet is a magicpunk, or magic realism. The story was first published in the Static Movement anthology Alternate Dimensions.

The amazing cover art is by Ateliersommerland and sourced through Dreamstime. The waif has the perfect expression to suit Bianca’s character.

My little description at Smashwords goes like this: “Bianca’s had about enough of Paulette, the school bully. But when she calls up magic to help out, both girls are in for more than they bargained for. Much more.”

And though you can read the first 20% free anyway, I do like to put the opening paragraphs here for a teaser too:

_____________________________________________

Bianca sulked. She’d pushed herself into a corner of the kitchen, crouched and squeezed herself right under one of the benches.
“Bianca,” Paulette called. “Come out.” She paused, giggled a little. “Come out, come out.”
“Wherever you are,” Bianca whispered.
“I’ll teach you, you little snipe. I will teach you a lesson you’ll never forget.”
Bianca looked around the corners of the tiny dark space. She needed magic.
______________________________________________

Hospital anthology now available

~ Sean Monaghan ~ 1 Comment

One of the Static Movement anthologies I’ve been editing is now complete and available from Amazon. This is a collection of (mostly) horror stories from a group of talented writers – some new and some familiar to readers of Static Movement anthologies. From danger in space, to crazed physicians, to abandoned wards and standup comedians, the anthology covers a lot of territory. Hospitals seem to provide a fertile ground for writers – after all these institutions are where were often at our most vulnerable and also have to be at our most trusting. There was a little space at the end there, so I managed to sneak one of my one stories in – “Finding Keys” is a flash fiction story originally published in MicroHorror in 2010 – click on the link if you want a little taste of the anthology.

Buy the anthology from Amazon! It’s $14.99, plus shipping (it seems there are some “used” copies already available for $48.00 plus shipping, which seems pretty odd to me… it’s a P.O.D., just released: how could there possibly be any time for it to become used? And why buy it for $48.00? The world just gets stranger).

I still have two anthologies open for submissions at Static Movement: Dieselpunk, and A Butterfly in China – self-explanatory titles, I hope. If you’ve got a story that might fit in those, send it along (guidelines are at the links. These are for-the-love anthologies).

Tutoring begins, writing slows

~ Sean Monaghan ~ Leave a comment


Well, I knew this day would come and I’ve planned for it, I just hadn’t been sure that I’d be quite as far ahead of my writing goals, nor that I would be able to time the beginning of tutoring to fit with exactly what I’m writing. (I tutor in, you guessed it, creative writing).

I’m deep into the next novel (well, 18,000 words), but took a break a couple of weeks ago to write some short/long stories. I should finish the third of those today or tomorrow, then I’ll go back to the novel. That novel will be in three parts, with a long passage of time between each (the first part set in 1996, the second – which I’m about to start – in 2002, and the third will be current), so a break at the end of the first part feels healthy: the characters will have developed and that break should give me a slightly different perspective.

For the next four or five weeks I won’t be able to keep up my 1000+ words a day as I’ve been doing all year (actually much more on average, my lowest daily count was 1010 words, highest over 5500 – the total is just on 130,000 for the 75 days of 2012). It’s going to be hard to slow down, I think, but will likely help with the novel – it might be a little more considered and evenly paced. 500 a day would be nice, but it might be more like 250. Still, that’s about a page. I definitely want to hit 150,000 words by the middle of the year, and do think that with the breaks in tutoring it will be quite possible. It would be good, I think, to get this novel finished by then, and be thinking about the next one.Oh, plus a couple of stories in there too.

On the reading side, I’ve just finished Kristine Kathryn Rusch’s City of Ruins – a sci fi adventure following on from Diving into the Wreck (and numerous stories). It was a fun romp. It seemed to start a little slow, but picked up quickly and became utterly compelling. I’m looking forward to the next one in the series – (Boneyards) – which is actually already out.

Now I’m finally picking up John Irving’s Until I Find You, which somehow I missed reading when it came out. I loved Last Night in Twisted River which I did read when that came out over a year ago – actually one of my favourites of his. I expect I’ll enjoy this one. I know I’ll be reading it slow (see notes on being busy above), but actually, that’s just fine.

So I get the goofball award, but at least it got me writing with focus…

~ Sean Monaghan ~ 2 Comments

In my last post, I bleated on about my best story not even making the long list of a competition (when a slightly weaker story had made the shortlist in another round of the same contest). Well, it turns out I was reading the wrong list. I was reading the (just published) list for the just previous round of the contest, where I’d entered a much weaker story. In fact, they’d already been polite enough to personally email me and let me know that my (not especially very good) story for that round hadn’t made the finals (no surprise there).

This means three things. First: my current best story ever is theoretically still “live” – since it’s in the contest’s current round, not lost from the list they’d published.

Second: I was being a goofball and I need to keep better track of things.

Third: thinking I need to just write better is a great motivator. I completed a new story over the weekend, and have begun yet another one. Talk about motivated. I felt like I was writing with fire. Now I don’t know that either of these stories is better than that other one, but I raged into the writing of them and I think they’re up there with my best. Good enough, in fact, to enter into those next rounds of the contest, when those submissions open up.

Memory and notes in writing stories

~ Sean Monaghan ~ 1 Comment

I woke up twice during the night with story ideas. I scrawled them on the notepad I keep by my bed. I have loads of ideas for stories – far more than I will ever have time to write. Sometimes the ideas are lousy, sometimes a little better. Sometimes my choice of which idea to pursue is lousy too – chasing an idea that seemed to be one of the better ones, but turned out to be not so much. One thing I try to do is make a of note ideas when they come to me.

Stephen King seems to discourage this – suggesting that if an idea is good enough for a story, then he’ll be able to remember it. Good luck to him with that (said to the tune of “omigosh I envy his success daily”). Me, I’m able to forget someone’s name before I’ve even finished shaking their hand. Perhaps the story ideas I’ve forgotten were the really, really lousy ones, but I have built some stories I’m proud of from those kinds of scratched out 2am ideas. If you’re so inclined, you could read “Airpocket” (a 600 word flash story, so readable in the message from our sponsor breaks in your favorite sitcom) – that’s a story that started from a midnight waking and note.

Remember those dogs in the movie UP? So focused on their mission, but easily distracted: “Find Doug. Find Doug. Find Doug. Squirrel!” At least they get back to their mission. I’m more like: “That’s a good idea for a story. Oh, look that store’s having a sale. Where did this guy learn how to park? Huh, she’s attractive, pity about the dress-sense. Did I lock the front door? Oh what was that story idea I just had?” I’m glad I keep a notebook handy.

Will last night’s ideas produce viable stories? I don’t know about that, but at least they’re down on paper rather than stuffed and lost somewhere in my somewhat unreliable memory bank.

Writing retreat – a new approach

~ Sean Monaghan ~ Leave a comment

 

I’ve been back for about ten days now from my nine-day retreat to the Foxton Beach writing house and I’m still working through what I achieved. I went with a very different approach to other times I’ve been on retreat. Usually what I do is have a specific project to write and I’m starting on a first draft – whether that be an adult novel, a young adult novel, a long short story or what-have-you. I go in with just ideas, perhaps an outline, and start writing.

This time I took a bunch of first draft manuscripts with me. I had ten stories. About half were flash-fiction (under 1000 words), the others longer (though nothing over 3500 words). These were rough manuscripts that varied in quality from fairly complete and structurally sound, to wobbly attempts where I’d just been keeping up the momentum of writing. Often I just have one or two manuscripts underway at once – often I’m too impatient to put things aside for a longer period (which any 101 writing book/course/etc. will tell you is what is important: put it aside for a week or a month and come back with fresh eyes).

Here’s the upshot.

  1. One of the stories has been abandoned entirely – I will use the idea and scenario for a full rewrite, but the pacing, tone and resolution were all too far out of whack to be able to mould or revise the existing story into any semblance of sense.
  2. Three of the stories need to sit for a while longer.  In part because I need to do some more research on boxing, on free-diving, on deep sea pressures, but also because there are some other issues that I will need to take some time with.  Overall, though, they are structurally fairly good, the characters and situations work and I’m pretty happy.
  3. Three more of the stories are pretty close to ready.  The structure is good, the pace about what I’m looking for.  What they need now is polishing to make the writing flow.
  4. The last three are done.  They were close to what I wanted from the beginning.  I spent the time at the retreat working on their endings and some polishing.  In the time since I’ve come back, I have done that final polishing and have submitted these three to various publishers.  One has already been accepted, yay (for Lame Goat Press’s Flash! anthology of flash fiction).

That’s it. I’m stoked about how productive the retreat was – using the space to do editing and reflecting was, I think, a more productive use of my time than had I gone in with a blank page (not to say that blank page is bad, just that this approach worked for me this time).

So now my task is to keep tinkering with those last six plus one stories.  I have drafted one new story in the meantime, and begun work on a from-scratch rewrite of the dud story from point 1 above.  Of course there is still the question of the novel.  My Galley proof arrived yesterday, so I will be working through that to make sure it’s working for me before I do the final submission to the publisher.