“Wakers” in Asimov’s Science Fiction, August 2016 issue.

71mt-lhxg1l-_sl1024_My story “Wakers” is out now in the August issue of Asimov’s Science Fiction. This is the third of my stories editor Sheila Williams has selected, and it continues to be a humbling honor. I’m stunned to see my name on the cover. It was a teenage dream to ever be published in Asimov’s, let alone see that.

I’m sharing these pages with some established authors – Sandra McDonald, James Alan Gardner, Jason Sanford, Kathe Koja & Carter Scholz (who doesn’t seem to have a website, and whose name some websites have as Sholz. He’s also a composer of music, which is kind of cool) – and some newcomers like me, Sieren Damsgaard Ernst and Matthew Claxton (sorry, can’t find links for them right now).

The issue has been out for a couple of weeks, though right now I’m still waiting for my subscriber’s copy. A disadvantage of living halfway around the world. Still can’t wait to get my hands on it.

The weeks ahead – publishing plans

The Cly front cover thumbRight now I’m busily preparing three books for publication. I’d like to have them all out by the end of May.

The first, my new novel, continues to trip me up. First, the title was not my working title, but that title doesn’t work. Titles trouble me (sometimes, more on that below). It seems the best one here is the name of the alien species (following Jack Vance’s novels The Dirdir and The Pnume, and doubtless many others.

Also the tag line (another thing that always trips me). “Earth on the verge of annihilation”. Sheesh, really. Well, that’s kind of what it’s about. Kind of.

And then, putting “Aurealis Award Finalist” on the cover by my name. Hmmm. It’s true, I have been a finalist for the award (lost out to Garth Nix there, so that’s okay). But is it okay to put it there when it wasn’t for this story? I guess I’ve kept it by my name, rather than by the title. And many authors do have all sorts all over their covers. Am I bragging too much there? Or in the right way? Should it say “Aurealis Award Finalist Author”? But then I’ve got “Author of Gretel” right underneath and doesn’t “author” twice in tags look silly?

Despite doing this for a few years now, I’m still second-guessing and learning and trying new things. I do like the cover – courtesy of Luca Oleastri/Innovari.

The other two books are stories, one a small collection and one a big collection. The first is titled “Celeste Without Gravity” and the other “Listen, You!”. I do like Celeste’s title (following on from above), not sure about the other.

Anyway, The Cly will be out by the end of this week, Celeste sometime next week and, all going to plan, Listen, You! the following week.

All in time and out of the way to get the next novel Athena Setting (my darling, see previous posts) out in early June.

James White Award Longlist

james white award logo

My story “The Old Fighting Goose” made it to the recently announced James White Award Longlist. I can mention this now because the blind judging has been completed and the story didn’t get on the shortlist. With over 350 entries, I’m pleased to have at least reached the last 22.

Best of luck to the finalists for the winners’ announcement at the BSFA Awards Ceremony in Manchester over Easter.

This is the last time I’m allowed to enter. From the rules: “The James White Award Short Story Competition is open only to non-professional writers.” The award is an annual contest and with a forthcoming publication this August I will qualify for professional status and lose eligibility for next year. Still it has been fun entering each year.

Now, editors, watch out. “The Old Fighting Goose” will be landing in your inbox soon.

The Root Bridges of Haemae in Aurealis

aurealis87My story “The Root Bridges of Haemae” is out now in Issue 87 of Australia’s Aurealis Magazine, edited by the renowned Dirk Strasser.

Described as “a resonant off-world story featuring a truly alien culture”, young alien Ribolee struggles with human and alien relationships.

This story made last semi-finalist in the Writers of the Future contest. I’m pleased that it’s found a home, especially with Aurealis.

The full issue includes stories by Ian Bell and Deborah Sheldon, as well as interviews and reviews. Available from Smashwords for $US2.99.

Aurealis is expanding. For a long time the publication had been restricted to submissions from Australian and New Zealand contributors, but now it’s going global.

Here’s the story’s opening:

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Human females survive the birth of their children.

Astonishing.

Ribolee ran this revelation around in her head again and again as she walked home from their camp.

Human females survive the birth.

And not only that, they sometimes have just one child. Imagine. A single child. How could that be? How could a species come to be with such a clear hindrance to its own survival?

Around her, the jungle dripped. The midday rains had been shorter today. She liked this time of year: summer almost here, but still cooler and the rains diminishing. The full seasons were far wilder: the dry of summer when the ground became bristlrboh dion hamilling and crackly, the leaves darkened and swelled, animals howled and rushed; the wet chill of winter when the rivers burgeoned, the ground became a swamp and the rain could last for suns on end.

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I’m lucky enough to have my story complemented by a wonderful illustration by Dion Hamill. Thanks Dion.

Sir Julius Vogel Awards ballot

smFront-v5There is the vague possibility of my getting onto the ballot for the Sir Julius Vogel Awards – New Zealand’s Science Fiction awards for a couple of stories: The Molenstraat Music Festival in Asimov’s, and The Harpsichord Elf in Capricious. The process works by the stories with the most nominations go on the ballot.

So, if any of you happen to have read either or both of the stories (and I’m happy to send you copies if you haven’t :-/ ), and you have a moment, email the details to

sjv_awards@sffanz.org.nz

asking to nominate the story (one story per email).The nominations close on February 28th (which will be the 27th, American friends living across the dateline).

Award website:http://www.sffanz.org.nz/sjv/sjvAwards.shtml

Details to send:
Title: The Molenstraat Music Festival
Author: Sean Monaghan
Category: Novelette or Novella
Published: Septmeber 2015
Published in: Asimov’s science fiction
Full details here: http://www.asimovs.com
Category: Professional awards
Science fiction
Nominated by [your contact details]

Title: The Harpsichord Elf
Author: Sean Monaghan
Category: Short Story
Published: 2015
Published in: Capricious
Full details here: http://www.capricioussf.org/2015/09/issue-1-available-now/
Category: Professional awards
Science Fiction
Nominated by [your contact details]

Thank you so much.

Conductive and Flammable in takahē

takahē 85

It’s been a little while since I’ve had any external publication news. My short story “Conductive and Flammable” has just come out in the latest issue of takahē.

Recently widowed, Beth’s dealing with a teenage son, a complicated estate and a neighbour who’s constantly burning stinky garden waste right at her back fence.

takahē has an enduring history in New Zealand literature (as you see, it’s up to issue 85) and I’m honored to be published there again. Thanks to fiction editor Karen Zelas for taking my story.

First equal in the Gernsback Writing Contest

writing-contest-logo-with-trademark-e1432910614435I’m thrilled that my story “Penny of Tharsis Montes” is one of the three winners of the innaugural Amazing Stories Gernsback Writing Contest.

The contest asked writers to visualize how the solar system would look in 250 years time. Mine ended up set on a somewhat terraformed Mars (hence Tharsis Montes).

The story will be published in the first issue of the Amazing Stories Bi-annual anthology early next year. Can’t wait.

The Harpsichord Elf in Capricious

CapriciousCover1 - mediumMy story “The Harpsichord Elf” appears in the September issue of Capricious, a new magazine of literary speculative fiction and criticism, edited by A.C. Buchanan. The wonderful cover art is by Anastasia (Mircha) Astasheva. The magazine is available for download free download. Subscriptions are available.

The story is perhaps slipstream (a little bit fantasy, a little bit sci-fi), and perhaps dovetails into “The Molenstraat Music Festival” in a way… well, with some musical themes there at least.
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The opening paragraphs go something like this:

As Shev clawed his way through the ruined floorboards into the music room, he got a splinter in his thumb. Still waist-deep in the hole he pulled the splinter with his teeth. He sucked on the sore thumb for a moment.
Somewhere deeper in the structure someone shouted.
“You can’t be in here,” a cello said. Rosewood and yew, it leant back in a stand. Out of tune.
“Quiet you,” Shev forced his way out onto the floor.

Distractions in Perihelion

fullcover034My short story “Distractions” is out now in Perihelion.

A wonderful cover by Hardy Fowler – “Taking a five minute break, a mecha pilot enjoys a quiet reverie in this secluded forest on the third planet from the sun.” Feels cool to have one of my stories hidden behind such a fabulous illustration.

This is a lighter one than my recent Asimov’s story – Robert’s boss Julianne Kette will stop at nothing to get her bounty, even if it means dragging him through hell to get it.

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Frustrated that I could only return to the cafe with bad news, I beat my way back along the dusty street. Kette would not be pleased.
Some screaming kids ran out from between buildings, a hoop robot chasing them. The thing had little pincers and zappers around its circumference. It fired barbs at them
Laughing, the kids ploughed through traffic, oblivious to the enormous trucks and skimmers speeding along. Sirens blared and the hoop robot stopped at the sidewalk’s edge.
I tascered the thin little machine and took it with me.

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My thanks again to editor Sam Bellotto Jr., for publishing another one of my quirky pieces.