Deadstick updated


To celebrate a year since my first re-engagement with Smashwords and ebook publishing, I’ve updated my dieselpunk story “Deadstick”. It’s got a new cover, and is combined with my steam/diesel-punk story “How Do You Like These Heights”. Combined with that, it’s also available as a print book. And a new blurb to go with that. I’ve been working on upgrading my blurbs to be a little more punchy. How’s this?

Hank’s scorching across the California sky in a race to save his son. The afterburners are overheating and Sally Jean is tearing apart around him. At 55,000 feet.
A dieselpunk story by Sean Monaghan, author of Pan Am 617 Heavy. Includes bonus story “How Do You Like These Heights”.

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ebook $3.49

Smashwords
Kindle
Apple
Nook (looks like the old version today – hopefully they’ll update soon.
Kobo (also an old version – what’s going on?)

Print $4.99

Amazon
Createspace

First try at publishing a double-header


As my self-publishing empire lags and stutters along, I’ll keep trying new things. What a learning curve. Following ideas from Dean Wesley Smith and Kristine Kathryn Rusch with their publishing arm WMG Publishing I’ve published two stories – Pipe Dive and Skinny Joe together, as one package, but as two separate units one with each story as the lead title. The content of each is the same, just in reversed order. They are linked stories – both set on the same world, with the same group of researchers (though in these two stories there’s no character crossover, there are, and will be, in other stories).

As you can see, I’m also working with covers – one is self-designed, the other is a commercial/professional illustration. I’ve bumped up the font size and word layout while trying to retain the general Triple V Publishing look. I noticed on some covers (like Xuento), the author name almost vanishes. Spreading “Monaghan” across the width, then tucking “Sean” in above, nestled between the “M” and the “h” risers makes the name visible at even thumnail size. I’ve simplified the covers too – no tagline, not even the Tripe V logo (perhaps that’s a mistake, we’ll see).

I’ve worked on my blurbs too – trying to be active and succinct. I think next year I’ll look at taking Dean Wesley Smith’s course on writing pitches and blurbs. This is how they look at the moment:

Skinny Joe
A Daron story. Skinny Joe’s on a deadline. And he can’t wait to get home to see Paula. But when he triggers something in the depths of the structure, it looks like he’ll be lucky to get out alive. A short story by Sean Monaghan, author of The Tunnel and Rotations. Includes bonus story “Pipe Dive”.

Pipe Dive
A Daron story. Pieter thought divorcing Mel would have been the end of it. Now he’s trapped in an artificial cavern deep in the structure. With Mel. And there’s no way to get back. A short story by Sean Monaghan, author of The Tunnel and Rotations. Includes bonus story “Skinny Joe”.

Buy them here: Skinny Joe and Pipe Dive. Soon on Kindle, B&N and so on.

Skinny Joe was originally published in Infinite Windows, and this is the first publication of Pipe Dive. That’s a new experiment – most of the Sean Monaghan fiction I’ve self-published has been of previously published works.

Bridesmaid once again

With good cheer I can say that I missed the cut for a top three placing in the Writers of the Future. While I would love to have won, it still feels like I’m on the way and writing at a level that I’ve been striving for over many years. And there will be other competitions. I have an entry in for the third quarter and am in the process of writing the next one for the fourth quarter (WotF is a quarterly contest).

Congratulations to the winners and other participants. I hope to be on the podium, so to speak, one day.

Nice to see another New Zealander there in the list. Well done Stacey. I’ve never met her (NZ isn’t that tiny), but she’s a pretty good writer – check out some of her stories: Waiting for the Apocalypse at Eschatology and; Back in My Day at Daily Science Fiction. (There are other New Zealanders on the list from time to time – John Harper a couple of times, Samuel Mae and, I’m guessing, others. Yay for us).

As for that story of mine that didn’t place? I’ve submitted it to a magazine. It can take its chances in the big wide world.

Finalist in the Writers of the Future Contest

I’m a finalist in the Writers of the Future contest. There’s a press release about the current finalists, and that’s my name right there amongst them. Me. Wow. I’m feeling stunned by the news. There is still that next big hurdle – to actually win one of the prizes (and I’m not holding my breath; so often I have been “the bridesmaid and never the bride”) – but it feels very encouraging. It’s as if I’m on the right track. Kind of like how excited I was to get a personal rejection from Asimov’s. It wasn’t an acceptance, but I got a sense of having jumped up a notch.

If I don’t win one of the top prizes, I’ll enter again, and keep entering until I’m no longer eligible* Writing fiction at this level has been a long time goal and it’s good to see that I’m going in the right direction.

In other news, my current total word count for the year is just about to hit the quarter million mark. 249,224. I’m coming to the end of this round of tutoring, which does slow the writing a little. My regular daily goal is 1000 words (you can see I average more), but during tutoring that’s slowed to an average of just under 300 (lowest day: 132, but I did get through a bunch of marking). You know what, though? Today, even with tutoring, I’m going to do at least 776 words and hit that quarter million word milestone.

Best of luck to the other finalists. (and thanks for your message, Martin).

*From the rules: the Contest is open only to those who have not professionally published a novel or short novel, or more than one novelette, or more than three short stories, in any medium. Professional publication is deemed to be payment, and at least 5,000 copies, or 5,000 hits. Despite my string of publications, I only have one at that professional level – a children’s radio story broadcast in New Zealand many years ago. Believe me, I’m working hard at getting more and, while I’d love to win Writers of the Future, I’d love to become ineligible too.

The Wreck of the Emerald Sky – new novella in The Colored Lens

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My novella The Wreck of The Emerald Sky has just been published in The Colored Lens.

Filled with bright, imaginative speculative fiction, The Colored Lens is a quarterly, available on Kindle for $2.99.

The Wreck of the Emerald Sky is a sci-fi adventure story set in my Barris Space universe. If you’ve read my stories “Barris Debris” in Deep Space Terror or “Eltanin Hoop Anomaly Rescue” in Will It Go Faster If I Push This?, then you might be familiar with the setting.

Here are the first couple of paragraphs as a taster
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Chapter one

Derel Larsen sat bolt upright in the bed as his ear-roll chimed. He was halfway to Meriam’s room before he realized that the chime wasn’t her security alert. It was just a phone call.
“Larsen,” he said, thumbing the connect. He kept going towards Meriam’s door.
“Larsen?” a voice said. One of the controllers at flight. Jamie, Larsen thought. Nice woman, even if she did have to confirm his name right after he’d said it.
“Medical leave is over, sport,” Jamie said.

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Prometheus – a positive view

Seems lots of people didn’t like the movie Prometheus. Well, I loved it. Start to finish. Sure there are issues… show me a movie that doesn’t have the odd glitch, or more than the odd glitch. What I loved is the spectacle and the attention to rising action. The pace is elegant. We’re given hooks, a little bit of conflict, some scene setting, a little more conflict, and more and more action. I’m not sure why so many of the reviews seem to have the thought that “it’s not as good as Alien“. To my mind it’s a different movie, in the way that Aliens is different to Alien: related but standing on its own feet. Granted Aliens was always a direct sequel, but they’re different movies. I guess Scott has a lot to live up to in that he directed Alien, but he’s changed as a film-maker and made a film that follows a different path (though at times almost the same path), and is fun to watch, especially in terms of its spectacle and story-telling. If you haven’t seen it, go see it. You might love it, you might hate it, but doesn’t that go for lots of things?

Free fiction: Berg – a Titanic story

Darn, I missed the – ahem – boat with getting this up on the 100th anniversary. Still it’s a story I’m pleased with. “Berg” first appeared in the Lame Goat anthology, The Next Time, and was reprinted in the Static Movement anthology About Time (which picked up many of those stories from the out of print Lame Goat volume). This piece is a short, humourous, alternate history.

The image by Reuterdahl is from Wikimedia Commons.

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Berg
by Sean Monaghan
copyright 2010

The Zodiac dropped two feet into the icy water and Tony realised that it must have been a different tide. He started looking for the iceberg and saw it off to port, maybe two miles away.

“There,” he said, pointing and Geoff started up the outboard, moving them across the glassy surface.

Tony scanned the horizon for lights but couldn’t see anything. She must still be a long way off. They had plenty of time. Geoff moved them up and Tony put a piton into the ice, then tied the boat up. They looked it over and decided the best place to put the explosives. Geoff got out the hot drill and they clambered up with crampons and ropes. They had to get into the heart of the berg and it took twenty-five minutes longer to drill the hole than Tony had expected. He saw the running lights on the horizon. She would arrive very soon.

“She’s coming,” Geoff said. His breath left a wispy trail. Like Tony he was dressed in full Arctic thermals.

Tony checked his watch. 11.21pm. Lots of time. He dropped the thin explosive pack down and tamped the lead to the detonator, hooked in the radio receiver and switched it on.

“She’s getting close,” Geoff said.

Tony looked and saw that the ship was perhaps a mile away. He smiled to himself as they made their way back to the boat, keeping their crampons away from the inflatable sides. Geoff backed them off and Tony realised that it would be close.

“Stop here,” he said. The ship was perhaps five hundred yards away now, already turning.

“Come on,” Geoff said.

Tony pressed the button. Nothing happened.

“Do it.”

“I did it already.” Tony pushed the button again and again. The ship was nearly on the berg.

“Too late,” Geoff said. “Leave it.”

The ship was beginning to make its gradual arc around the berg, moving slowly south of them. Tony was transfixed. It was extraordinary to watch this event occurring just yards away from his eyes. He’d seen it so many times in various movies, and reconstructions. He read about it so much he could have written a dissertation. Yet the experience was something entirely different. He felt his throat clench.

The percussive sound of the hull striking the berg gave him such a start that he dropped the transmitter.

The explosion rocked them back and Tony had to grab Geoff to stop him falling from the Zodiac. When he looked again the ship was already head down, sinking fast. It was supposed to take nearly three hours. It shouldn’t be going so rapidly. The explosives, intended to break the berg up into relatively harmless flows, must have blasted a hole in the hull and the sinking was taking moments.

They bucked in the waves as the wash from the explosion hit them. The propellers were up, the bridge already underwater. Tony remembered the Lusitania, torpedoed, taking only minutes to go down.

There was screaming and in just a few minutes the ship was gone.

“Holy crap,” Geoff said.

Tony stared at the still shivering water, listened to the screaming of the people who’d been thrown clear, freezing to death.

Geoff started the engine again.

“What are you doing?” Tony said.

“Picking them up. Wasn’t that the idea? Save their lives. We’ve surely screwed that up, so let’s do something.”

“How many do you think there are? Fifty, sixty? Most of them were in bed.”

They pulled twenty live ones from the water and got them to the Carpathia.

And that gave Tony an idea for their next try.

Geoff didn’t like that any better than the explosives, but at least it gave them a chance to get there early and stop their other selves placing the package.

A week later they dropped back into the water a couple of hours earlier. They pitoned a buoy to the iceberg with a message to themselves not to blow it up, that everything was under control, then they sprinted for the Californian.

Once aboard, in period costume they sat next to the wireless room and created their own CQD distress message. The captain started the ship moving towards the iceberg, further away than the 1912 estimate, but closer than the 1992 vindication.

“What’s he doing?” Tony said nearly two hours later as they watched from the Zodiac.

The Californian had arrived before Titanic and was slowly turning. The berg rested close by.

“He’s wondering about the distress call,” Geoff said. “This is the position, but there’s no wreckage, no boats.”

Titanic had crested the horizon and Tony realised that the Californian was dark, all the cabin lights out as the crew slept, just her small running lights showing.

“Lost amongst the stars,” Geoff said.

Tony thought he was doing poetry, but then he saw the problem. “They must see her,” he said. “They must.”

The Titanic was bearing down on the now stationary Californian. Lord had heaved to for the night again, unwilling to move into the ice field in the darkness. The Titanic lookouts hadn’t seen the berg, but surely they would see the other vessel. Surely. The big ship had a massive head of steam up. Looking for a record time. It swept past the Zodiac like a black curtain.

“This,” Geoff said, “is just one screw up from the beginning.”

Titanic cut the tiny Californian in half. The split little ship heeled over and began going down. The Titanic, slowed somewhat, still smacked hard, bow first, into the berg.

Tony noticed that their buoy was gone and saw the other Tony, and the other Geoff, silhouetted, arms upraised in disbelief.

And then Titanic began going down too. Her hull must have been cracked by the impact. Both impacts. Tony kept hoping that the watertight doors would work, but she just kept sinking. Faster.

“Any better ideas?” Geoff asked, as Titanic’s took on a list that was preventing half the lifeboats getting away.

“Maybe,” Tony said. He had to put this right. “Something much more simple.”

“Well, count me out.”

“You’ll like this, though.”

And of course Geoff did come.

They pitoned in another buoy, with instructions for the first team to leave their buoy, and not to call the Californian.

“Okay,” Geoff said when they’d backed off. “You still want me to circle the berg?”

“That’s the plan. The lookouts were searching for breaking water, but there never was any because the sea was totally flat. That’s why they saw the berg so late the other time.” Tony waved to himself in the other Zodiacs as they went around.

“Yeah, well, if this doesn’t work, neither of us get born, right?”

Both other sets of doppelgangers had got the idea and soon all three Zodiacs were circling, creating wakes that left breaking waves on the face of the berg.

Tony smiled. “It doesn’t bear thinking about. My head spins with the paradoxes.”

Hospital anthology now available

One of the Static Movement anthologies I’ve been editing is now complete and available from Amazon. This is a collection of (mostly) horror stories from a group of talented writers – some new and some familiar to readers of Static Movement anthologies. From danger in space, to crazed physicians, to abandoned wards and standup comedians, the anthology covers a lot of territory. Hospitals seem to provide a fertile ground for writers – after all these institutions are where were often at our most vulnerable and also have to be at our most trusting. There was a little space at the end there, so I managed to sneak one of my one stories in – “Finding Keys” is a flash fiction story originally published in MicroHorror in 2010 – click on the link if you want a little taste of the anthology.

Buy the anthology from Amazon! It’s $14.99, plus shipping (it seems there are some “used” copies already available for $48.00 plus shipping, which seems pretty odd to me… it’s a P.O.D., just released: how could there possibly be any time for it to become used? And why buy it for $48.00? The world just gets stranger).

I still have two anthologies open for submissions at Static Movement: Dieselpunk, and A Butterfly in China – self-explanatory titles, I hope. If you’ve got a story that might fit in those, send it along (guidelines are at the links. These are for-the-love anthologies).

The value of a good cover

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Currently I do the illustrations for all of my book covers. I have a little bit of an art background (in fact have even had some exhibitions), so while I’m no professional I like to think that I have a reasonable idea of how to make a reasonable picture. Sometimes my covers work and sometimes not so much. Case in point here is my cover for my story Stone Goddess. I had the idea – to suit the story – of a pile of rocks that kind of looks like a statue. I attempted a blend of the rocks with the image of the statue (all rendered in Bryce). There are some elements that work, but I’m not convinced that this cover is going to sell many copies of the story (I think the story is one of my best, but so far has sold zero copies on Smashwords).

I was following Jeff Ambrose (another writer who’s inspired me on writing goals) and found his post about working on his covers. Now I though his covers were pretty good to start with, but some of his new ones are just leaving me in the dust. Look at the one here (used with his permission for illustrative purposes) for his story The Stone Goddess. Wow (and yikes, practically the same title). That illustration is so professional that it ought to help him sell an awful lot of copies of the story. (I’m terrified to read his story for fear that not only is the cover better, but so is the story).

That said, he is using dreamstime (an online resource where artists sell the rights for the use of their illustrations), so the covers are going to be pretty professional. Maybe I should take a lesson from Jeff and start investing a little money, rather than time – especially when a cover isn’t working out so well.

Maybe I’ll buy one of Jesse-lee Lang’s illustrations (she did the picture on the cover of Jeff’s story), and go head-to-head with Jeff.

NB: Cover Art Copyright © by Jesse-lee-Lang, Dreamstime.com

Book in hand, typos… in hand

The proof copy of the paperback edition of The Tunnel arrived today. It’s very cool, I’ve got to say, to hold the physical result in my hands (as you can see from that goofy grin). The idea of a proof copy, I guess, is that final check before it gets properly published. I knew there would be some tinkering with the cover to do, but what I didn’t expect was to open it up and spot a typo immediately. This is after three proofreads (one by me, and one by someone else [who’s not to blame at all!] and another by me). It’s just a silly thing too – an “at” when it should be “as” – which makes that sentence (“And as Morgan was leaving…”) make no sense at all. Guess I’m going to have to proof the whole thing again. I might have to do that backwards. At least I know that the ebook version is correct (checked it just now – I guess I got the paperback proof printed before that final proofread. Silly).